CopyrightX

So I signed up to take/survey an online free course offered by Harvard. It's on Copyright. I had to write a short essay why I want to take the course and I was accepted. Twice. I wrote about how I don't think intellectual property exists, but intellectual recognition can be legalized. The first time was probably around 2017 and I did not have time to participate. I shall make time this time.

The course will not start until 1/31/2019 Thursday. But there's already readings and videos to watch. I shall COPY them for my own pleasure. But of course, though there will always be fools, out of their ignorance and pride, finding my stand "flippant", I shall give unto Caesar's [The government power] what's his, despite boldly making my case heard whenever I can.

Lectures

These twelve lectures were prepared and delivered by Prof. William Fisher.  The original versions were recorded during the Winter of 2013. Six have since then been substantially revised.

All of the lectures are licensed under a Creative Commons License, the terms of which are available on the Permission page.   Some suggestions concerning the alternative ways of gaining access to and viewing them are set forth at the bottom of this page.

  1. The Foundations of Copyright Law
  2. Fairness and Personality Theories
  3. The Subject Matter of Copyright
  4. Welfare Theory
  5. Authorship
  6. The Mechanics of Copyright
  7. The Rights to Reproduce and Modify
  8. The Rights to Distribute, Perform, and Display
  9. Fair Use
  10. Cultural Theory
  11. Supplements to Copyright: Secondary Liability and Para-copyright
  12. Remedies

Syllabus for Online Sections 2019

Week 1

Lecture 1: The Foundations of Copyright Law

Readings:

Week 2

Lecture 2: Fairness and Personality Theories

Readings:

Week 3

Lecture 3: The Subject Matter of Copyright

Readings:

Week 4

Lecture 4: Welfare Theory

Readings:

Week 5

Lecture 5: Authorship

Readings:

Week 6

Lecture 6: The Mechanics of Copyright

Readings:

Week 7

Lecture 7: The Rights to Reproduce and Modify

Readings:

Week 8

Lecture 8: The Rights to Distribute, Perform, and Display

Readings:

Week 9

Lecture 9: Fair Use

Readings:

Week 10

Lecture 10: Cultural Theory

Readings:

Week 11

Lecture 11: Supplements to Copyright: Secondary Liability and Para-copyright

Readings

Week 12

Lecture 12: Remedies

Readings:

This entry was posted in Authoring, Music, Reviews, Technical, Theologization. Bookmark the permalink.

One Response to CopyrightX

  1. timlyg says:

    Week 01.
    Lecture 1: The Foundations of Copyright Law

    The Feist Publications, Inc. v. Rural Telephone Service Co. is one interesting one:
    Feist wanted Rural's phone book directory for its own business gain, Rural refused due to competition in similar business.
    Rural may broke monopoly law while Feist may committed copyright infringement.

    It is interestingly funny that in #18: ... Rural asserted that Feist's employees were obliged to travel door-to-door or conduct a telephone survey to discover the same information for themselves...

    So it establish the basis that facts are not copyrightable, but debating into whether compilation of facts is copyrightable. And to what extend of compilation?

    As interesting as this is, I find this discussion at this stage of the course unsatisfactory. I had to know about the history of copyright law. I want to be sure that my hunch is correct about it: That copyright law, specifically intellectual property, is made for a very specific but not necessary model of economy. So I learned of the Battle of Cúl Dreimhne. Which is supposedly the first copyright problem cataloged in human history. This copyright thing became prolific since the printing invention. The battle, also known as the Battle of the Book, started from the dispute between the "innocent" copier St. Columba and the owner of the psalter, St. Finnian. Finnian wanted the copy while Columba wanted to keep his copy. The king ruled against Columba and a consequent war killed/injured 3000 lives. I should remind myself to visit Iona Abbey, should I find myself in Scotland. The Abbey which Columba founded, feeling guilty from starting the war and later just wanted to preach Christ. My solution to this is, though I am aware of the limitation of printing technology at the time, Finnian shouldn't have let Columba copy if it's for Columba's own keeping.

    I believe CopyrightX should start with history like this. But anyway, it is still a good motivator for one such as me.

    I still don't believe in copyright property, but I staunchly uphold copyright recognition. And as the means of copying becomes more technologically convenient, you either have a very very selfish/rich-wannabe author who restricts the freedom of others (e.g. copying works in the comfort and privacy of one's own house) in a way that's actively intruding the business of others; Or where there's no hindrance to the distribution or collection of knowledge and the author/compiler has to either repent from selfishness or give up the get-rich-quick scheme. It is obvious which side I am on. And I don't believe that this is hindering any artist's or author's livelihood, which seems to be the only argument given, because there were greater authors and artists before copying technology was advanced.

    So bottom line is on the advancement of copy technology. Is it more important for the benefit of distribution and collection of knowledge or is it more important for catering to a composer's wealth under the pretense of "motivating" inventions and creativity. Unfortunately you cannot have both, at least not by enforcement of law.

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